Archive for June, 2010
Come on England
Yep! Bad move from Green. They better do some huddling at half time. Great goal from Gerard though.
iPhone 4
Well I’ve had the software on my 3Gs since apple released it to developers.
I must say I’m quite impressed with it.
However it is starting to feel dated. Yes, it’s great for emails… And a bit of Web Browsing whilst on the crapper. The problem is that other phones have caught up and in some ways took over. iPhones haven’t really changed significantly in the previous years.
The new iPhone 4 looks sleeker (although a bit more like other phones and less unique) but I’m not that impressed with the new features. I have 2 or 3 other devices which will record HD video and I don’t plan on using the front facing camera, as nobody else will either. Phones are designed to speak to people without having to see them, if you wanted to see someone… You’d meet them.
If you wanted to see somebody far away, you’d use Skype because it’s free.
I might venture to another handset soon as the iPhone 4 release hasn’t wowed me enough. So the iPhone 4 will not be my 4th smart phone it seems.
It’s a bit of a wet flannel.
Ableton Live – My New DAW
For the past 5 years I’ve been using FL Studio (Fruity Loops) for producing music, I like the way it encourages you to make loops, duplicate them, change them and layer them up. It’s easy to make drum parts and drag and drop different sounds to change the sounds until you are happy with the sound.
I tried Ableton Live 6 and 7 when they were released as I’ve heard lots of hype about them. I wasn’t really happy with the feel of working with it, it felt like it took me 3x longer to do anything than I could do in fruity.
I tried Ableton Live 8 and I have to say it’s much improved. I love the warping engine, it makes auditioning samples over your existing project very simple as it matches the tempo and makes it fit. If it doesn’t sound right on Auditioning, it won’t sound right when you drag it in and it saves a lot of time when trying new sounds.
I’ve been using the drum racks and It’s very powerful, you can send individual drum instruments to FX so you can compress just a kick. When side-chaining you can choose the whole drum part to trigger a ‘pump’ or you can choose individual instrument, e.g. Kick to pump the compressor on another track (for example a bassline) this is something I love about FL studio and a technique I used frequently. Now I’ve discovered the way to do this with Ableton, I am happy to say it’s even more intuitive than FL Studio.
You could probably do these things with previous incarnations of Ableton Live but I have never got that before without sacking it off and going back to Fruity.
The only problem now Is I now have a windows PC and sold my Mac Pro and kind of wish I still had it so I could of use the Mac Version of Ableton Live with that. It supposedly supports VST instruments on Mac, which (if I haven’t misread) means I could of used my favourite VST plugins with the Mac. I could always use my Macbook but my Windows PC is more powerful than this so I guess I’ll stick with Windows.
I have a BCF-2000 and Axiom 49 so I have plenty of Knobs and Faders to experiment with some live playback, who knows I might be able to get a grips with that and do some live stuff instead of just DJing and Studio Production. That could be good Fun.
It’s old news but Orbital have got back together after doing their own side projects and now use Ableton Live for the heart of their live Rigs. It is designed at heart to be a live tool but it’s just so clean and manageable that it’s an extremely powerful DAW for using for production as well, this is what I love about it.
I used Sonar for a bit and I probably still will for somethings but I don’t know If I will go back to Fruity. I just feel the sound I get from Sonar and Ableton is like the difference between a Sportscar and a Supercar. I’m using 192khz/24bit on my Edirol FA-66 interface and It sounds so much warmer than 44.1khz/16bit I used to use with Fruity, I know it will do 192khz/24bit but I never noticed a difference so I didn’t bother.
Ableton is more intuitive than Sonar so I’l stick with this for a bit, learn the software so I can use it as well as I can use FL Studio, that way it’ll be the ultimate tool to sit at the hart of my studio.